S(t)imulation is an installation composed of fabrics onto which photographs are printed, simultaneously manifesting the appearance and disappearance of an environment. A crystallization of time and place, it questions and reveals vibrating, oscillating particles of a particular apprehension of reality. These printed images result from the process of photogrammetry; they are captured from a multitude of angles with the aim of obtaining 3D representations. However, rather than seeking linear reproductions that mimic reality, Adem works with the flaws, visual gaps, and distortions generated by the software. He selects scans that are warped and fragmented, where colors and forms expand and stretch.
This way of conceiving the image highlights the impact we have upon it, asserts our intervention as observers, and leaves room for new occurrences and perceptions. With the awareness that our perception of our environment is relatively limited, a desire emerges to materialize, through this installation, an entanglement of possibilities. The image is conceived here as the sum of multiple points of view—a modified or even augmented reality, endowed with the capacity to exist simultaneously in several places within one and the same space.
These various captures create hybrid, sensitive landscapes whose horizons remain imperceptible. A spatial ambiguity unfolds, where perceptions and dimensions multiply, at the threshold between the real and the unreal. The way the pieces are arranged within the space plays a primordial role in their appreciation. Due to its fluid and malleable nature, the fabric contributes to the multiplication of perceptions; as it unfolds and folds back onto itself, intervals appear, enclosing other aspects.
S(t)imulation clearly outlines a moving ensemble—a suspended flow of images in which a form of sublimation of digital creation and artifice develops.
Text by Marie Noonis
Distortion Serie.
2015-2022
Chaos is defined not so much by its disorder as by the infinite speed with which every form taking shape in it vanishes.
It is a void, that is not a nothingness but virtual, containing all possible particles and drawing out all possible forms, which spring up only to disappear immediately, without consistency or reference, without consequence.
Chaos is an infinite speed of birth and disappearance.
Deleuze
It is a void, that is not a nothingness but virtual, containing all possible particles and drawing out all possible forms, which spring up only to disappear immediately, without consistency or reference, without consequence.
Chaos is an infinite speed of birth and disappearance.
Deleuze
Cemetery Serie.
2015-2022
